Stereoscopic albumen print (detail from left frame), possibly published by J Elliott
Macleay Museum, Historic Photograph Collection, 820560154

Contents

2.5 The French Tissue

The ‘French Tissue’ was a stereo photograph whose card mount was cut away to allow light to pass through the thin albumen print. This enabled the photographer to create a number of special effects. The albumen paper could be hand tinted or backed with a translucent sheet of coloured material and when held up to the light the print appeared to be coloured. This effect could be further enhanced by piercing both pieces of paper with a needle to heighten features such as candles on chandeliers, cutting out the backing paper behind a window, or waxing the image paper to increase its translucency. French Tissues were most popular between 1858 and 1875, and as the name suggests were most commonly produced in France although they were also made in Britain and other countries.

Ref: Darrah: (1997: 11)

‘French Tissue’ of Interior View
‘French Tissue’ of Interior View Possibly photographed by James Elliott, c1860 Stereoscopic albumen print, possibly published by J. Elliott (The reverse view shows the cut-away mount and the detail above shows the pattern of pinpricks matching the position of candle flames on the chandelier) Macleay Museum, Historic Photograph Collection, 820560154
The reverse view